EMERSON, LAKE & POWELL - Powell First Concert, 2CD

1986 - Powell First Concert, 2CD

Definición de bootleg, por si algún jurista lo reclama.

En términos musicales, un bootleg es una grabación que no ha publicado oficialmente el artista ni su compañía discográfica. Pueden ser grabaciones en directo de conciertos, de sesiones en estudio, de ensayos o simplemente de jams. 

ENLACES

https://mega.co.nz/#!A7IkFAJb!AAAAAAAAAABnAvN_KNDZoAAAAAAAAAAAZwLzfyjQ2aA

ELP - Classics Live On The King Biscuit Flower Hour

1998 - Classics Live On The King Biscuit Flower Hour

1. Peter Gunn Theme {Henry Mancini} (3:44)
2. Tiger In A Spotlight (4:23)
3. C'est La Vie (4:21)
4. Piano Improvisation (5:40)
5. Maple Leaf Rag {Scott Joplin} (1:17)
6. Drum Solo (1:26)
7. The Enemy God {Sergei Prokofiev} (2:46)
8. Watching Over You (4:14)
9. Pirates (13:29)
10. Fanfare For The Common Man {Aaron Copland, arranged by Emerson} (8:21)
11. Hoe Down {Aaron Copland, arranged by ELP} (4:24)
12. Still, You Turn Me On (3:03)
13. Lucky Man (3:09)
14. Piano Improvisation (7:10)

ENLACE

https://mega.co.nz/#!I3ZGHYYL!AAAAAAAAAAAo37QEoUcRxQAAAAAAAAAAKN-0BKFHEcU

PINK FLOYD Vol 3 1969 Dramatis/ation

Vol 3 1969 Dramatis/ation

DVD/Blu-ray:

‘Forum Musiques’, París, Francia, 22 de enero 1969.

01 Set The Controls For The Heart Of The Sun.
Entrevista a David Gilmour.
02 A Saucerful Of Secrets.
19:25

03 ‘The Man’ and ‘The Journey.
Royal Festival Hall, Londres, ensayo, 14 de abril, 1969.
 - Afternoon (Biding My Time).
 - The Beginning (Green Is The Colour).
 - Cymbaline.
 - Beset By Creatures Of The Deep. †
 - The End Of The Beginning (A Saucerful Of Secrets).
14:05

Essencer Pop & Blues Festival, Essen, Alemania, 11 de octubre 1969. 

04 Careful With That Axe, Eugene.
05 A Saucerful Of Secrets.
19:14

Music Power & European Music Revolution, Festival Actuel,
Amougies Mont de l’Enclus, Belgica, 25 de octubre 1969:

06 Green Is The Colour.
07 Careful With That Axe, Eugene.
08 Set The Controls For The Heart Of The Sun.
27:53
09 Interstellar Overdrive with Frank Zappa.
11:26

Tiempo total: 94:22 minutos.

ENLACES

https://mega.nz/file/OEY2jSjD#AAAAAAAAAADZ1Y9qgrZPBwAAAAAAAAAA2dWPaoK2Twc

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https://mega.nz/file/OdYUVYCY#AAAAAAAAAACnhYGqnpWSMwAAAAAAAAAAp4WBqp6VkjM

https://mega.nz/file/uJAATaqB#AAAAAAAAAAAABgUpPBorNQAAAAAAAAAAAAYFKTwaKzU

Rush - Classic Albums 2112 Moving Pictures

Classic Albums 2112 Moving Pictures

Los tres junto a sonidistas explican como lo hicieron....

ENLACE

https://mega.nz/file/YbBCiSQY#AAAAAAAAAACHf-fXI7MMmAAAAAAAAAAAh3_n1yOzDJg

https://mega.nz/file/8WAiDQKT#AAAAAAAAAACJP3qf8ND-3gAAAAAAAAAAiT96n_DQ_t4

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https://mega.nz/file/JSBCmIKR#AAAAAAAAAADB-0Lq1MYXPwAAAAAAAAAAwftC6tTGFz8

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https://mega.nz/file/cLQwWaQA#AAAAAAAAAABWIFI5AjPDDQAAAAAAAAAAViBSOQIzww0

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https://mega.nz/file/QPBEHCKK#AAAAAAAAAADHEV0TFg4l9QAAAAAAAAAAxxFdExYOJfU

https://mega.nz/file/4KZAjYhZ#AAAAAAAAAAA4wEzV9IIAVgAAAAAAAAAAOMBM1fSCAFY

RICK WAWEMAN - Live 1980 Swedish Television Special

Live 1980 Swedish Television Special

Corresponde a colección de Rick Wakeman - Video Vault (2010)

JETHRO TULL - 1976 Tampa

1976 Tampa

Definición de bootleg, por si algún jurista lo reclama.

En términos musicales, un bootleg es una grabación que no ha publicado oficialmente el artista ni su compañía discográfica. Pueden ser grabaciones en directo de conciertos, de sesiones en estudio, de ensayos o simplemente de jams. 

ENLACES

https://mega.nz/file/HMZA0ApJ#AAAAAAAAAAB0UOkAnAv4eQAAAAAAAAAAdFDpAJwL-Hk

https://mega.nz/file/GcQUDYgQ#AAAAAAAAAACqRwupaOO5jQAAAAAAAAAAqkcLqWjjuY0

https://mega.nz/file/fEZGyQzR#AAAAAAAAAAB_dOvU6-s4MQAAAAAAAAAAf3Tr1OvrODE

https://mega.nz/file/OcJ0SS5Z#AAAAAAAAAAC3mZIh7QUhTwAAAAAAAAAAt5mSIe0FIU8

https://mega.nz/file/7NYAgYBK#AAAAAAAAAACb4p5ZWEiXuwAAAAAAAAAAm-KeWVhIl7s

https://mega.nz/file/mZIw0AaQ#AAAAAAAAAACCmn7LXhJuUwAAAAAAAAAAgpp-y14SblM

https://mega.nz/file/mVBE1aSZ#AAAAAAAAAACJkGpAUJXjvAAAAAAAAAAAiZBqQFCV47w

https://mega.nz/file/vBIQXIJB#AAAAAAAAAADpsdZQ-Ubw2wAAAAAAAAAA6bHWUPlG8Ns

https://mega.nz/file/aBJGhAJI#AAAAAAAAAADUzLUiAluGvgAAAAAAAAAA1My1IgJbhr4

https://mega.nz/file/eIQygAjZ#AAAAAAAAAADj-y2mK3SHbgAAAAAAAAAA4_stpit0h24

https://mega.nz/file/WJYQxQzL#AAAAAAAAAAA0m064Ao2lYQAAAAAAAAAANJtOuAKNpWE

https://mega.nz/file/7MJgFKBY#AAAAAAAAAAB_9w2-zIOO7AAAAAAAAAAAf_cNvsyDjuw

https://mega.nz/file/mQY0zQaZ#AAAAAAAAAABo6jNBtgzY5gAAAAAAAAAAaOozQbYM2OY

https://mega.nz/file/PQJiySAZ#AAAAAAAAAAAI6SpGoed7QAAAAAAAAAAACOkqRqHne0A

https://mega.nz/file/zMIA0AyY#AAAAAAAAAAD4kvWyr-032wAAAAAAAAAA-JL1sq_tN9s

https://mega.nz/file/iARSxC7D#AAAAAAAAAACffBqn2M1gQQAAAAAAAAAAn3wap9jNYEE

https://mega.nz/file/GcYwXQpb#AAAAAAAAAABpipaVtMUWiwAAAAAAAAAAaYqWlbTFFos

https://mega.nz/file/rIYWEA4Z#AAAAAAAAAAD-VXmpzLBOtAAAAAAAAAAA_lV5qcywTrQ

https://mega.nz/file/XEBUTQDQ#AAAAAAAAAACQ1fBhOLl6TQAAAAAAAAAAkNXwYTi5ek0

https://mega.nz/file/DVIinaAI#AAAAAAAAAADFIyGPNAiGxgAAAAAAAAAAxSMhjzQIhsY

https://mega.nz/file/vFImkYjR#AAAAAAAAAACNeh_szyhhbAAAAAAAAAAAjXof7M8oYWw

https://mega.nz/file/qcRwSAyY#AAAAAAAAAAB2rCIzOA-rJQAAAAAAAAAAdqwiMzgPqyU

https://mega.nz/file/aFICWQzZ#AAAAAAAAAABMPR7tdI6kdAAAAAAAAAAATD0e7XSOpHQ

https://mega.nz/file/DRRggI7Z#AAAAAAAAAACUAHtW80mZAwAAAAAAAAAAlAB7VvNJmQM

https://mega.nz/file/nZQCRQzC#AAAAAAAAAAAxtFqzUO7YjQAAAAAAAAAAMbRas1Du2I0

https://mega.nz/file/GVASjQiA#AAAAAAAAAAC0YSJfxyd4mgAAAAAAAAAAtGEiX8cneJo

https://mega.nz/file/ycIw1QDQ#AAAAAAAAAAByew1aGsElZgAAAAAAAAAAcnsNWhrBJWY

https://mega.nz/file/jUZkGAKC#AAAAAAAAAACN6kggvZ0gwwAAAAAAAAAAjepIIL2dIMM

https://mega.nz/file/nRR03ARK#AAAAAAAAAAChW8P0_cFyhQAAAAAAAAAAoVvD9P3BcoU

RICK WAKEMAN 1975 Live at the Empire Pool King Arthur on Ice

1975 Live at the Empire Pool King Arthur on Ice

Corresponde a la colección Rick Wakeman - Video Vault (2010)

ENLACES

https://mega.nz/file/zZJyxQZY#AAAAAAAAAADb1SY62e-lawAAAAAAAAAA29UmOtnvpWs

https://mega.nz/file/yJYghKRL#AAAAAAAAAABkfwR8Rn24WgAAAAAAAAAAZH8EfEZ9uFo

https://mega.nz/file/6dYUHSxB#AAAAAAAAAAAvqyoQF9z9jQAAAAAAAAAAL6sqEBfc_Y0

https://mega.nz/file/3VQQzKQT#AAAAAAAAAAB9UNBBZ2RU0AAAAAAAAAAAfVDQQWdkVNA

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https://mega.nz/file/7ERiEKiK#AAAAAAAAAAABedKeiF9IcgAAAAAAAAAAAXnSnohfSHI

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https://mega.nz/file/WUIShArY#AAAAAAAAAACBvhPTmwMfCwAAAAAAAAAAgb4T05sDHws

https://mega.nz/file/DdYWVQAA#AAAAAAAAAAAyfsFA_7MG-gAAAAAAAAAAMn7BQP-zBvo

https://mega.nz/file/mdA0QIbb#AAAAAAAAAACMQ3iKfpRj5AAAAAAAAAAAjEN4in6UY-Q

https://mega.nz/file/qAAC0Qaa#AAAAAAAAAABDJanc7x0MoQAAAAAAAAAAQyWp3O8dDKE

https://mega.nz/file/7AYCha4b#AAAAAAAAAADubyYF_HsMfwAAAAAAAAAA7m8mBfx7DH8

https://mega.nz/file/CERWRaiZ#AAAAAAAAAAD7aWXjBTPpLQAAAAAAAAAA-2ll4wUz6S0

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https://mega.nz/file/LIBQmIYI#AAAAAAAAAAAiV_nDZMNxPwAAAAAAAAAAIlf5w2TDcT8

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https://mega.nz/file/jNIEUYja#AAAAAAAAAAANM3RZiuLhRQAAAAAAAAAADTN0WYri4UU

https://mega.nz/file/OdZAWKwa#AAAAAAAAAAAzuM21EhjFeQAAAAAAAAAAM7jNtRIYxXk

https://mega.nz/file/7EY0BArZ#AAAAAAAAAABfh3vb9v5ydAAAAAAAAAAAX4d72_b-cnQ

https://mega.nz/file/2VAQAa7D#AAAAAAAAAABztq1Kk_jHIAAAAAAAAAAAc7atSpP4xyA

https://mega.nz/file/TRYSDYhB#AAAAAAAAAAAh20T54gVmAgAAAAAAAAAAIdtE-eIFZgI

https://mega.nz/file/OcAUiAxB#AAAAAAAAAADO3i7Oc2Wr9wAAAAAAAAAAzt4uznNlq_c

https://mega.nz/file/XVJm1ILD#AAAAAAAAAAAayOaHDuj8CAAAAAAAAAAAGsjmhw7o_Ag

https://mega.nz/file/TAJmBaqI#AAAAAAAAAAAxTttvwa-rkQAAAAAAAAAAMU7bb8Gvq5E

https://mega.nz/file/TVIAjATY#AAAAAAAAAADafn4W9nAR5AAAAAAAAAAA2n5-FvZwEeQ

John Lennon - Off The Walls-Summer Of 1974

1997 - Off The Walls-Summer Of 1974 (Masterfraction MSCD 005 Japan)

01. Bless You 05:19

02. Move Over Ms. L 02:47

03. Scared 04:48

04. Surprise Surprise (Sweet Bird of Paradox) 03:05

05. Whatever Gets You thru the Night 03:06

06. Going Down on Love 03:51

07. Nobody Loves You (When You're Down and Out) 05:04

08. What You Got 03:58

09. Old Dirt Road 02:34

10. Beef Jerky 03:22

11. Surprise Surprise (Sweet Bird of Paradox) 03:39

12. Going Down on Love 04:03

13. Whatever Gets You thru the Night 01:47

14. Whatever Gets You thru the Night 03:33

15. Steel and Glass 04:17

16. Old Dirt Road 04:54

17. #9 Dream 04:42

Tracks 1-9, 15-16 - Monitor Mix

Tracks 10-13 - Rehearsal Session

Tracks 14,17 - Rough Mix

ENLACE

https://mega.co.nz/#!VqREAIqB!AAAAAAAAAAD2RmpdTxl2xQAAAAAAAAAA9kZqXU8ZdsU

Jeff Beck - Gust of Wind

Gust of Wind [Bootleg][Soundboard][1999]

Definición de bootleg, por si algún jurista lo reclama.

En términos musicales, un bootleg es una grabación que no ha publicado oficialmente el artista ni su compañía discográfica. Pueden ser grabaciones en directo de conciertos, de sesiones en estudio, de ensayos o simplemente de jams. 

ENLACES

https://mega.co.nz/#!p2ZQQaKC!AAAAAAAAAACEuvghd3vBsgAAAAAAAAAAhLr4IXd7wbI

Ian Anderson - In Sight Of The Flute Player (RESUBIDO MF HQ FLAC)

1995.05.21 - In Sight Of The Flute Player

May 21st 1995, The Volkshaus, Zurich  

(to the best of my knowledge, never circulated within any of the old-days trading lists or in current files sharing fashion; was I the only taper on that very night !!??)

Lineage: Sony recorder + external mic (can’t remember which model…) on TDK MA 110 tape -> Philips CD recorder 870 -> Flac no compression/ Nero –> DimeAdozen -> YOU

Tracks list

DISC 1  (49'58")

01 - In A Stone Circle (missing)

02 - In Sight Of The Minaret (first 90 seconds missing, then fade in) (04:38)

03 - In A Black Box (03:37) 

04 - In The Grip Of Stronger Stuff (03:54) 

05 - In Maternal Grace (03:35) 

06 - In The Moneylender's Temple (05:09) 

07 - In The Defence Of Faiths (03:28) 

08 - At Their Father's Knee (06:25) 

09 - En Afrique (03:11) 

10 - In The Olive Garden (02:57) 

11 - In The Pay Of Spain (04:31) 

12 - In The Times Of India (Bombay Valentine) (08:29) 

DISC 2 (62'56")

01 - Heavy Horses (08:53) 

02 - Life Is A Long Song (04:03) 

03 - Sossity: You're A Woman / Reasons For Waiting / drum & bass solo (07:19) 

04 - Sossity (reprise) (06:31) 

05 - Wond'ring Aloud (01:58) 

06 - Cheap Day Return (01:38) 

07 - Nursie (01:47) 

08 - Dun Ringill (03:46) 

09 - She Moves Through The Fair / Dust Devils (04:48) 

10 - Jack-In-The-Green (02:46) 

11 - Bouree (04:25) 

12 - Aqualung (08:21) 

13 - Locomotive Breath (06:35)

Musicians

Ian Anderson - Flutes, guitars, Vocals

Andrew Giddings- Keyboards

Doanne Perry - Drums & percussions

Jonathan Noyce - Acoustic Upright Bass

Chris Leslie - Violin

Quality Reference

Some days ago, this tape came by chance under my eyes and I realized I never put it onto CD; quality of the tape was surprisingly immaculate (it was 16 years ago…) and I decided to digitalise it …. before it’s too late!

I own the silver cd bootleg “I’m a just simple flute player” from the show in Berlin the day after: I can tell you my recording is better; vocals are more evident and music is more solid.

I know there is another recording -made by Laufi (hello my old friend!!)-  for the same Berlin show and it is graded better than “Simple Flute Player”; I  have never listened to that one so I cannot tell you how it is compared to my recording.

 

Technical note

Here you find the almost complete concert, since the first track and part of the second track are missing; this is due to the fact that, on that night,  I forgot my second blank tape on my car.

Tape ran out after Aqualung; those were terrible moments when I had to make my choice: missing the encore or missing the first part of the show.

I choose not to miss the new (at the time) orchestral version of Locomotive Breathe.

So, I taped it on the first two songs of A side of the tape; during the Loco intro (the first 90 seconds) the sound  is muffled because I did not note that my overcoat was covering the microphone!

 

Cover art 

Sorry, no cover art.

I am working on it at the moment, but I will not share it here because it will come out with many personal pictures –while there will not be any concert picture which may have a general interest- and it is intended just for my personal use an memo of that night; see the paragraph below–  “The History behind the recording”

 

The History behind the recording (for those interested, LOL… and, please, be generous to my written English!)

Me and my-then-wife arrived in Zurich in the late morning and went to the hotel booked for the night after the show.

My plan was to try to enter into the theatre and meet IAN (this boot is titled after this event), since I supposed that it would have been easier than at a normal Jethro Tull concert because of the more relaxed audience and the stripped-down security service due to the smaller venue.

I was right!

At Around 4 p.m. we walked in through a side door and simply sit down in the audience seats; no one noted us and we listened to part of the soundcheck.

At the end I met Andy Giddings, asked him about the concert, had a picture also with him and Don Perry and, finally, ran to the dressroom to look for IAN.

I knocked at the door with his name on.

I remember clearly that Shona opened the door; I introduced myself and told her I just wanted to say hello to her husband and, possibly, have a picture with him.

She told me. “yes, you can do this after the show. Come back here”.

I remember I was, at the same time, happy to have spoken to her and  disappointed because I was afraid that, maybe, "I WOULDN'T SUCCEEDED IN REACHING THE DRESSINGROOM AGAIN after the show…. 

But in that moment,  I still did not know that Shone herself  would have been actually my “gate” to Ian.

In fact, after the end of the concert, while people were leaving their seats and running through the front door, we ran in the opposite direction toward the stage and, again, in the dressing room.

A guy from the security stopped me, and I told him: I am waiting for Shona.

After some minutes, I saw Ian coming out from the corridor with Shona and some people. He saw that I was looking for him and, of course, he was just going straight up beyond me, but right in that very moment Shona shouted “I know you; Hello Franco !”.

Ian was clearly surprised that his wife knew me; so he stopped, we shaked our hands, and I had some pictures with him taken by my wife;

he also kindly asked my wife if she wanted to be in the picture and the man from the security was the one who had to take one more picture for us!! 

LOL ?

After that, we went out through the backdoor where a short group of fans were waiting for Ian to come out, but instead …. they cought only us!

We walked around the block to reach the parking and we walked again in front of the main door from where IAN (Smart guy!)  was coming outside right in that moment!

That was THE night for me, since at the time I was younger and well into TULL from a fan perspective and Ian was my hero; it was also a great concert, the one, I guess, when they performed for the first time that orchestral sound that was used on the Root to Branches album & tour (the LAST great TULL in my view, but that’s another story….).

Last but not least, I remember I was still a little upset at the time because of my father’s death some 10 months before.

I just thought “I would like to go to this concert” and “couple of weeks after I thought “Ok, let’ skip it, too difficult to manage buying tickets from Italy, hotel arrangement and so on…” Remember: it was 1995 and it was not so common to handle tickets on the internet.

Also,  definetively, I was not in the right mood.

But my wife said: “we can do it, let’s go!”

And we did.

(so, maybe belated, but anyway) Thanks M. !

ENLACE

https://www.mediafire.com/file/1v676e35z6kofpl/1995.05.21+-+Ian+Anderson+-+In+Sight+Of+The+Flute+Player.rar/file

Enrico Rava & Paolo Fresu Quintet - Shades of Chet

Shades of Chet

AMR JAZZ FESTIVAL  Théâtre du Loup Genève, switzerland 07.apr 2000

01 - Doodlin'

02 - My Funny Valentine

03 - Doxy - Portrait In Black and White

04 - There Will Never Be Another You 

05 - You Can't Go Home Again

06 - Strike Up the Band   

07 - {fade out - voiceover} 

08 - Radio Outro

Enrico Rava - Trumpet, Flugelhorn

Paolo Fresu - Trumpet, Flugelhorn 

Stefano Bollani - Piano 

Enzo Fietropaoli - Bass 

Roberto Gatto - Drums

TT : Approx 88:45

ENLACE

https://mega.co.nz/#!YvQQQY5L!AAAAAAAAAAAvsVm2Ka6UzgAAAAAAAAAAL7FZtimulM4

ELP - Live At The Isle Of Wight Festival '70

1997 - Live At The Isle Of Wight Festival '70

Definición de bootleg, por si algún jurista lo reclama.

En términos musicales, un bootleg es una grabación que no ha publicado oficialmente el artista ni su compañía discográfica. Pueden ser grabaciones en directo de conciertos, de sesiones en estudio, de ensayos o simplemente de jams. 

ENLACE

https://mega.co.nz/#!w6IiEayB!AAAAAAAAAABTEOo96OQHzQAAAAAAAAAAUxDqPejkB80

Davy Knowles & Back Door Slam - BBC Sessions

BBC Sessions (08.03.2010) [bootleg]

Definición de bootleg, por si algún jurista lo reclama.

En términos musicales, un bootleg es una grabación que no ha publicado oficialmente el artista ni su compañía discográfica. Pueden ser grabaciones en directo de conciertos, de sesiones en estudio, de ensayos o simplemente de jams. 

ENLACES

https://mega.co.nz/#!5nRSXSpR!AAAAAAAAAACNdvXzuU3qfQAAAAAAAAAAjXb187lN6n0

Dire Straits with Eric Clapton - Wembley (RESUBIDO MF HQ FLAC)

1988-06-11 Wembley

Date: 11.06.1988 

Place: Wembley Stadium, London, UK 

Sound: SB 

Quality: 6 from 6

 

Tracks: 

01. Walk of Life 

02. Sultans of Swing 

03. Romeo and Juliet 

04. Money for Nothing 

05. Brothers in Arms 

06. Wonderful Tonight

07. Solid Rock

Mark Knopfler - Guitar 

Eric Clapton - Guitar 

John Illsley - Bass 

Terry Williams - Drums 

Alan Clark, Guy Fletcher - Keyboards 

Chris White - Sax

  

 Many people said that that this concert was a "milestone" show. Right decision. It's just great. This concert features Eric Clapton on rhythm guitar (instead of Jack Sonni). In Walk of Life, Clapton did very good solo. Money For Nothing has this long intro sung by Alan Clark (with the background of keyboards, drums and Eric's solo). Brothers In Arms and Wonderful Tonight have PERFECT sound, a bit better than the rest. Also this version of Brothers In Arms is the best I've ever heard in my life. His Pensa guitar sounds great, also here we can find new arrangement of drums and percussion. Wonderful Tonigh is also beautiful, with keyboard intro by Guy Fletcher - ???

ENLACE

https://www.mediafire.com/file/q5qid5nqmcrgh3h/Dire+Straits+with+Eric+Clapton+-+1988-06-11+Wembley.rar/file

Beth Hart & Joe Bonamassa - Lotto Arena, Antwerpen, Belgium

2013.06.26.Lotto Arena, Antwerpen, Belgium

Definición de bootleg, por si algún jurista lo reclama.

En términos musicales, un bootleg es una grabación que no ha publicado oficialmente el artista ni su compañía discográfica. Pueden ser grabaciones en directo de conciertos, de sesiones en estudio, de ensayos o simplemente de jams. 

ENLACE

https://mega.co.nz/#!1nAmTKja!AAAAAAAAAADjj2XA0YCcjAAAAAAAAAAA449lwNGAnIw

Robben Ford & The Blue Line - Irving Meadows, Irving, CA

1991 - Irving Meadows, Irving, CA

Definición de bootleg, por si algún jurista lo reclama.

En términos musicales, un bootleg es una grabación que no ha publicado oficialmente el artista ni su compañía discográfica. Pueden ser grabaciones en directo de conciertos, de sesiones en estudio, de ensayos o simplemente de jams. 

ENLACE

https://mega.co.nz/#!lyAQHAbQ!AAAAAAAAAABtANYE9rrDqwAAAAAAAAAAbQDWBPa6w6s

Al Di Meola, Stanley Clarke, Jean-Luc Ponty - Live At Montreux 1994 [2005, Jazz fusion, DVD9]

Live At Montreux 1994 [2005, Jazz fusion, DVD9]

Eagle Rock Entertainment

2005

It was at the Montreux Jazz Festival in 1994 that Al Di Meola, Jean-Luc Ponty and Stanley Clarke played as a trio for the first time. Clarke and Di Meola had been part of Return to Forever and while they were comfortable in the familiarity of knowing each other, Ponty reached in and became a perfect fit. That language of understanding is seen to advantage on this portrait.

The music they played that night were taken from their individual projects. There were other tunes that would later be included on their album The Rite of Strings. These were songs that captured the sublime and the earthy, the gentle and the flighty. They get off on the right note with the Spanish tinged "Song to John, the playing deep in the groove of the heart. And even as each turns in a strong performance, the highlight is the arresting duologue between Clarke and Di Meola. Monty Alexander joins them on an encore of the tune. He dimensions the tune with his crisp flights while Di Meola reins in the pace for a stimulating extension of the melody. They weave a spell of magic on "La Cancion de Sofia and, in doing so, enhance the remarkable beauty of the composition. Ponty uses the upper register of the violin for a quick emphasis, the rhythm moves into high gear and then comes full circle to the warm embrace of the melody.

Of the solo turns, Clarke comes off the best on "School Days, his extraordinary technique married to a brilliant level of creativity. Ponty uses delayed effect to thicken the texture of his "Eulogy to Oscar Romero, but it does have a tempered depth, and Di Meola has a clean, crisp presence on "Summer Country Song.

There are some excellent close-ups which enhance involvement with the music and the musicians. The program runs 103 minutes and is full screen. And then there is the very welcome informative booklet that Eagle Rock tucks into its DVDs.

Personnel: Al DiMeola (guitar); Jean-Luc Ponty (violin); Stanley Clarke (bass). Guest artist: Monty Alexander (piano on "Song to John").

Track listing: Song to John; Memory Canyon; La Cancion de Sofia; Summer Country Song; School Days; Eulogy to Oscar Romero; Renaissance; Chilean Pipe Song; Song to John (featuring Monty Alexander); Indigo

ENLACES

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https://mega.nz/file/EPRmhaCD#AAAAAAAAAAB6OlFo3u2sCAAAAAAAAAAAejpRaN7trAg

PINK FLOYD Vol 2 1968 Germin/ation

Vol 2 1968 Germin/ation

Corresponde a la colección Pink Floyd - The Early Years 1965-1972

Buscalo también en youtube.

Es pesado recomiendo descargar Jdownloader.

DVD/Blu-ray - Películas:

Productor, curadora, archivista: Lana Tophan.
Oficiales de enlace de restauración: Mark Bonnici, Graham Jones.
Supervisor de restauración: Tom Barrett.
Técnico fílmico: Marie-Louise Fieldman.
U.K Film escaneo: Clayton Baker.
Colorista: Stephen Bearman.
Restauración digital: Lisa Copson, David Burt, Tom Wiltshire, Debra Bataller.
Colorista: Tom Russell.
Coloristas y restauración: Harry Conquest, Vince Narduzzo.
Audio masterizado: Andy Jackson, Tube Mastering.
Post producción: Tony Maher, Rik Tester, David Wilde, Matthew Pickering, Jeffrey Halsey.
Editor en línea: Guy Morley.
Despeje de películas: Paul Loasby, Lana Tophan, Lindsay Jones, Alex Seidl en aviacion - Managment.
Agradecimientos: Simon Craddock, Vernon Fitch, Sandrine Sacarrere, Jean-Luc Vernhet.
Metraje cortesía de: VRT, Sonuma, INA, BBC, ZDF Enterprises.

DVD/Blu-ray:

Productor: Andy Evans, Aecreate.com.
Producción Evil Llama: Meric De Silva, Goncalo Cardoso, Kristen O'Sullivan.
Diseño del menú y animación: Corinne Pollock, basado en el diseño de papel psicodélico 60's de John Whiteley.
Menú audio loops: Andy Jackson, Damon Iddins.
Coordinación y despejes: Andy Murray, Elena Bello, Paul Loasby.
Investigación de cinta de audio, compilación: Andy Murray, Andy Jackson, Damon Iddins.
Agradecimientos: Phil Taylor.
Estudios Abbey Road: Cary Anning, Peach Kazen, Ian Jones, Ian Pickavance.
Archivo EMI: Wayne Shevlin.

DVD/Blu-ray:

‘Tienerklanken’, Bruselas, Bélgica, 18-19 de febrero 1968:

01 Astronomy Domine.
02 The Scarecrow.
03 Corporal Clegg.
04 Paintbox.
05 Set The Controls For The Heart Of The Sun.
06 See Emily Play.
07 Bike.

Tiempo: 22:28 minutos.

08 Apples And Oranges.
‘Vibrato’, Bruselas, Bélgica, febrero 1968 - 3:03

‘Bouton Rouge’, París, Francia, 20 de febrero 1968:

09 Astronomy Domine.
10 Flaming.
11 Set The Controls For The Heart Of The Sun.
12 Let There Be More Light.
13:35

13 Paintbox.
‘Discorama’, París, Francia, 21 de febrero 1968 - 3:40
14 Instrumental Improvisation. †
‘The Sound Of Change’, Londres, U.K, marzo 1968 - 2:15
15 Set The Controls For The Heart Of The Sun.
‘All My Loving’, Londres, U.K, 28 de marzo 1968 - 2:40
16 It Would Be So Nice (excerpt).
‘Release-Rome Goes Pop’, Roma, Italia, abril 1968 - 1:21
17 Interstellar Overdrive.
‘Pop 68’, Roma, Italia, 6 de mayo 1968 - 6:59

‘Tienerklanken – Kastival’, Kasterlee, Bélgica, 31 de agosto 1968:

18 Astronomy Domine.
19 + Roger Waters interview.
3:48

‘Samedi et Compagnie’, París, Francia, 6 de septiembre 1968:

20 Let There Be More Light.
21 Remember A Day.
5:31

22 Let There Be More Light.
‘A L’Affiche du Monde’, Londres, U.K, 1968 - 1:53

‘Tous En Scene’, París, Francia, 21 de octubre 1968:

23 Let There Be More Light.
24 Flaming.
6:39

25 Let There Be More Light.
‘Surprise Partie’, Paris, France, 1 November 1968  6:35
26 Point Me At The Sky.
Restaurado promo vídeo, U.K, 1968 - 3:19

Tiempo total: 84:18 minutos.

ENLACES

https://mega.nz/file/oTRGASaK#AAAAAAAAAABFFYJEBTPq8wAAAAAAAAAARRWCRAUz6vM

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https://mega.nz/file/EDZg1IST#AAAAAAAAAADYkkVHOBWCsQAAAAAAAAAA2JJFRzgVgrE

PINK FLOYD Vol 1 1965-67 Cambridge Station

Vol 1 1965-67 Cambridge Station

Corresponde a la colección Pink Floyd - The Early Years 1965-1972

Buscalo también en youtube.

Es pesado recomiendo descargar Jdownloader.

DVD/Blu-ray:

Productor: Andy Evans, Aecreate.com.
Producción Evil Llama: Meric De Silva, Goncalo Cardoso, Kristen O'Sullivan.
Diseño del menú y animación: Corinne Pollock, basado en el diseño de papel psicodélico 60's de John Whiteley.
Menú audio loops: Andy Jackson, Damon Iddins.
Coordinación y despejes: Andy Murray, Elena Bello, Paul Loasby.
Investigación de cinta de audio, compilación: Andy Murray, Andy Jackson, Damon Iddins.
Agradecimientos: Phil Taylor.
Estudios Abbey Road: Cary Anning, Peach Kazen, Ian Jones, Ian Pickavance.
Archivo EMI: Wayne Shevlin.

DVD/Blu-ray.

01 Chapter 24.
Syd Barrett en el Gog Magog Hills, Cambridgeshire, UK 1966 / Pink Floyd en EMI Studios, Londres, abril 1967 - 3:40
02 Nick’s Boogie. †
Grabación de Interstellar Overdrive y Nick’s Boogie en el Sound Techniques Studio, Chelsea, 11 de enero, 1967 / En vivo en el UFO, The Blarney Club, Londres, 13 de enero, 1967  - 6:36
03 Interstellar Overdrive.
‘Scene – Underground’ UFO en The Blarney Club, Londres, 27 de enero, 1967 - 4:15
04 Arnold Layne.
Promo vídeo, Wittering Beach, U.K, 1967 - 2:54
05 Pow R. Toc H. / Astronomy Domine.
Plus Syd Barrett y Roger Waters entrevista: BBC ‘The Look Of The Week’ - BBC Studios, Londres, 14 de mayo, 1967 - 9:22
06 The Scarecrow.
‘Pathé Pictorial’ U.K, julio 1967 - 2:05
07 Jugband Blues.
‘London Line’ promo vídeo, Londres 1967 - 2:58
08 Apples And Oranges.
Plus Dick Clark entrevista: ‘American Bandstand’, Los Angeles, U.S.A, 7 de noviembre, 1967 - 4:51
09 Instrumental Improvisation. †
BBC ‘Tomorrow’s World’, Londres, 12 de diciembre, 1967 - 2:11
10 Instrumental Improvisation. †
‘Die Jungen Nachtwandler’, UFO, The Blarney Club, Londres, 24 de febrero, 1967 - 4:32
11 See Emily Play.
BBC ‘Top Of The Pops’ – parcialmente restaurado. BBC Studios, Londres, 6 de julio, 1967 - 2:55
12 The Scarecrow (outtakes).
‘Pathé Pictorial’, U.K, julio de 1967 - 2:07
13 Interstellar Overdrive.
‘Science Fiction – Das Universum Des Ichs’, The Roundhouse, Londres, 1967 - 9:33

Tiempo total: 57:59 minutos.

ENLACES

https://mega.nz/file/9ORwBaYQ#AAAAAAAAAAAHbxnTNoEfagAAAAAAAAAAB28Z0zaBH2o

https://mega.nz/file/hDIW1YSL#AAAAAAAAAABeXBZ1vx1rzAAAAAAAAAAAXlwWdb8da8w

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