Definición de bootleg, por si algún jurista lo reclama.
En términos musicales, un bootleg es una grabación que no ha publicado oficialmente el artista ni su compañía discográfica. Pueden ser grabaciones en directo de conciertos, de sesiones en estudio, de ensayos o simplemente de jams.
Through The Years Vol.3
Definición de bootleg, por si algún jurista lo reclama.
En términos musicales, un bootleg es una grabación que no ha publicado oficialmente el artista ni su compañía discográfica. Pueden ser grabaciones en directo de conciertos, de sesiones en estudio, de ensayos o simplemente de jams.
1. Camino Royale (8:23)
2. Please Don't Touch (4:20)
3. Everyday (6:39)
4. In That Quiet Earth (3:38)
5. Depth Charge (3:15)*
6. Wonderpatch (2:42)*
7. In The Heart Of The City*
8. Black Light (2:35)
9. Horizons (1:28)
10. Jacuzzi (2:52)
11. Theatre Of Sleep (2:55)*
12. Jazz Jam (3:35)*
13. Spectral Mornings (5:13)
14. Clocks (3:52)
* These tracks are segued and are not listed on the DVD box (only on the VHS box)
- Steve Hackett / guitar, vocals
- Ian Ellis / bass, vocals
- Julian Colbeck / keyboards, vocals
- John Hackett / guitar, flute
- Fudge Smith / drums
Releases information
This is a re-release on DVD of a VHS video simply called Steve Hackett Live.
ENLACES
https://mega.nz/file/DNZmHYbY#AAAAAAAAAAC_PNUwVdifHwAAAAAAAAAAvzzVMFXYnx8
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Rarities plus Interviews
DVD5: NTSC 4:3 (720x480) VBR | Dolby AC3, 2 ch
Progressive Rock | Voiceprint | Scans(png, 600dpi) -> 804 Mb | ~ 3.70 Gb
The Omnibus interview took place shortly after MAM, (Tom Jones management at
the
time) had commissioned 1984 to become a musical using the music that Tim
Rice and myself had written and released on the Charisma label. The
album struggled into the top 30 but it was a bad time for concept albums
and the media pretty much killed it stone dead, but Tony MacArthur at
MAM really believed it would make a great musical and so work commenced
on turning the music into a full scale production.
Then a major brick wall was hit at 100mph! The lawyers in Chicago who
acted for the George Orwell trust in America, put the complete block on
our plans and despite numerous meetings, discussions and attempts to
reach some sort of deal, after almost a year, the plans were ditched. To
say I was gutted would be to put it mildly. Even more upsetting was the
fact that a year later a dreadful film version of 1984 appeared with
Richard Burton and some awful 1980’s music that really didn’t do the
work justice, and that was the end of my efforts to keep the concept
album alive by taking it one step further.
At the end of the Omnibus interview with Barry Norman there is a very
unique performance of Elgin Mansions, as it indeed was its premiere. It
was shortened somewhat to fit in with the television timeslot, but it’s a
rare find indeed.
~ Rick Wakeman
Tracklist:
1 RW Video Vault Interview
2 The Overture from 1984
3 The Barry Norman Interview
4 Elgin Mansions
Progressive Rock | Voiceprint | Scans(png, 600dpi) -> 804
Mb | ~ 1.99 Gb
Back in the early 80s, a wonderful TV series called A Little Night Music,
filmed in
Birmingham had quite an assortment of musical styles over the weeks that
the series ran.
The performance was recorded live at Pebble Mill in Birmingham and a
small budget was given to me to do some orchestrations for the
additional orchestral musicians that were booked to perform with me. A
children’s choir was also brought in for Bedtime Stories, but they were
perhaps a little too young and brings to mind the well known saying
“Never work with children or animals”! Whilst they were very angelic and
looked great, trying to get them to sing at the same time proved
virtually impossible, but the piece certainly ended up with a lot of
charm.
I recall the evening very well for a very sad reason and that was that
Robert Powell, who narrated Gray’s Elegy, had tragically just lost his
father to cancer and so Gone But Not Forgotten took on a new and very
special meaning that night.
~ Rick Wakeman
Tracklist:
1 Sea Horses
2 Merlin The Magician
3 Elgin Mansions
4 Bedtime Stories
5 Gone But Not Forgotten
6 Gole and Black Pearls
7 Catherine Howard
8 Gray's Elegy (with Robert Powell)
9 After The Ball
Definición de bootleg, por si algún jurista lo reclama.
En términos musicales, un bootleg
es una grabación que no ha publicado oficialmente el artista ni su compañía discográfica. Pueden ser grabaciones
en directo de conciertos, de sesiones en estudio, de ensayos o simplemente
de jams.
DVD5: NTSC 4:3 (720x480) VBR | Dolby AC3, 2 ch
Progressive Rock | Voiceprint | Scans(png, 600dpi) -> 804 Mb | ~ 2.82 Gb
This was indeed a very interesting filming as the show was recorded at the
Maltings in
Farnham in the early evening and was actually broadcast that same
evening around 11pm. There is very little on film that includes the
brass section of Reg Brooks and the late Martyn Shields and so it was a
time when the ERE was going through quite a metamorphism with a new
guitar player as well in John “Dusty” Dunsterville, who was a very funny
guy in many respects and his rendition, (and altered lyrics), of the
Johnny Cash classic, “I Walk The Line” was a regular occurrence on stage
and indeed appears toward the end of this concert too!
~ Rick Wakeman
Tracklist:
1 Journey Medley
2 The Realisation
3 Lancelot and the Black Knight
4 The Spaceman
5 Catherine Parr
6 The Prisoner
7 Merlin The Magician
